Daniel Kremer

Even Just

Ezer Kenegdo

The Wind Blows Where It Wishes

David Cronenberg Presents Wireless Internet

William Wyler: Forty Takes Willy

Love Left the Masquerade: Peter Medak's Cinema of Pretenders

Ben Fries the Slaves

Now, Irving Rapper

Clear Lines of Sight: Sidney J. Furie at Paramount

Arid Cut

Cruel, Usual, Necessary: The Passion of Silvio Narizzano

Paralyzed Segments: Suzanne Pleshette Tangled Up in Codes

Survival Scars: Franklin J. Schaffner as Auteur

Elective Vicissitudes: The Radical Exiles of Jules Dassin

Jack of Three Trades: In Focus on Nicholson the Director

La Vie en Gris: The Anglophone Louis Malle in Seven Pictures

The Brando Interregnum: The Decade of Marlon's Dirty Dozen 1962-1972

It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point

Xenolith Atlas

Ammo for Shooting Clouds: John G. Avildsen Before Rocky

The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late Preminger

The Fourth Movement

Looking to Get Out: A Comparative Analysis of the Ted Kotcheff Vision

A Man of Potential: Visions of Paul Wendkos, the Godard of Gidget

Cinema of the Pilpul: A Talmudic View of Early Holocaust Cinema

Dead Neon: The Many Faces of Lenny Bruce on Film